A Jetton, or Counter
Shepherd’s Dial
Scene VI – ‘Dear master, I can go no further.’
Melancholy Jaques
Scene I – ‘A poor sequester’d stag.’
Scene III – ‘To liberty, and not to banishment.’
Scene I – ‘Wilt thou lay hands on me, villain?’
Border – The Seven Ages
Cross at West-Cheap
Forest of Arden
As You Like It Full Page Introductory Illustration
Tarleton, with the Tabor – From Harl. MS. 3885
Middle Temple Hall
Scene I – Spalatro – ‘My lord, I do protest.’
Scene III – ‘Into the chantry,’
Scene I – Spalatro – ‘Hold, Toby, on thy life.’
Chests of the time of Elizabeth
‘The new Map, with the augmentation of the Indies.’ From ‘Linschoten’s Voyages,’ 1598
The Bed at Ware – From a Print by Shaw
Scene III – ‘Once, in a sea-fight, ‘gainst the count his galleys.’
Scene I – Olivia’s Garden
Tray-trip – From a Drawing in Harleian MSS
One of the Magi (cross-gartered) – From an Illumination in the Benedictional of St. Ethelwald, in the Duke of Devonshire’s Collection
Lucrece – From an antique gem
Ancient Watch, time of James I
Stone-bow – From a Specimen engraved in Meyrick
Scene IV
Scene I – Sea-coast near Spalatro
Sheriffs’ Posts – From Archaeologia,’ vol. xxix
Portrait of Moll Cut-Purse – From Middleton’s ‘Roaring Girl’
Viol-de-Gamboys – From Harl. MS. 4375
‘Turn o’ the toe like a parish-top’
Spalatro – Scene II. ‘This is Illyria, lady.’
Border – Interior of a Chamber
Woman of Mitylene – From Vecellio
Le Roi boit – Flemish Twelfth Night. After a Picture by Jordaens
Twelfth Night Full Page Introductory Illustration
Cupids forging Arrows. From Albano
Messina, from the Sea
Ancient Walking-sticks
Scene III – Hero’s Requiem
Exterior of Cathedral of Messina
Scene I – Interior of Cathedral at Messina
Holy Thistle – From a Specimen
Rabato, or ruff for the neck – Portrait of the Countess of Bedford, from a contemporary Print
Lanterns, temp, Eliz. From contemporary Prints
‘Haggards of the Rock’ – Peregrine Falcon
Ancient Watchmen, temp. Eliz
Scene III – Setting the Watch
Caricature from Borde
Garden. Balthazar sings
Masque in Leonato’s House
Canker, or Dog Rose
Fashions of Hats
Portrait of Fulk Greville, first Lord Brooke
Bird-bolts – From a Cut in Douce’s Illustrations
Flight Arrows – From Specimens
Scene II – ‘A thick-pleached alley in my orchard’
Streets in Messina
Border – ‘Honeysuckles ripen’d by the sun’
Ariosto – From a Print by Raffaelle Morghen
Much Ado About Nothing Full Page Introductory Illustration
Fool’s Bauble, &c
Supplementary Notice
Gentle Astringer – From a French Sculpture, temp. Eliz
Court of Countess’s Palace – Lafau, Parolles and Clown
Marseilles
Carriage of 1532
Travelling Wagon of the Fifteenth Century
Parolles unmuffled – ‘So look about you; know you any here?’
Florentine Camp and General View of Florence – Scene I
Arquebus
Hand-gun
Without the Walls of Florence – Scene V
Florence: The Wall with the S. Nicolo Gate
Court of the Duke’s Palace, Florence – Scene I
Morris for May-day. Mr Tollet’s window
Barber – From a Print by J. Amman, 1568
General View of Paris
Interior of Louvre – Scene I
Gate of Perpignan
Interior of Palace in Rousillon – Countess and Clown
Border. Designed from contemporary representations of Military Insignia on Tombs at Florence and in the North of Italy. See Letti’s ‘Famiglia Celebri Italiani’
French Nobleman and Lady – From Montfaucon
Henry II of France and Duke of Florence – From Vecellio and Montfaucon
Head of Boccaccio
All’s Well That Ends Well Full Page Introductory Illustration
Italian Crosses in Lombardy. From Original Sketches
Caskets. From Titian and the Antique
‘The light we see is burning in my hall’
Avenue to Portia’s House
Bagpipes. From a Sculpture in Cirencester Church, temp. Henry VII
Piazetta di san Marco
Court of Ducal Palace
The Goodwin Sands during a Storm.
Bassanio Receiving the Letter Concerning Antonio
Rialto Bridge
Gold Angel of Queen Elizabeth
Terminal Figure of Pan. From Townley Collection in British Museum
Hand – showing the principal lines and points used in Palmistry. From Indagine’s Treatise
Place for hiring Gondolas. From Canaletti
Canal in Venice
Jester. From the ‘Triumphs of Maximilan’
Two-headed Janus. From an antique engraved in Montfaucon
Venetian Ships of the 16th Century. – ‘Argosies of portly sail’
St Mark’s Place
Border. The Doge’s state Gallery, the Bucentaur, passing one of the Red Columns of the Piazzetta. From Prints in ‘Vedute di Venezia, designata da Antonio Canale and Antonio Visentini’
Venetian Lady. From Vecellio’s ‘Habite Antichi’
Venetian Doctor of Laws. From Vecellio’s ‘Habite Antichi’
Venetian Gentlemen – The Young Lover. From Vecellio’s ‘Habite Antichi’
Venetian Nobleman. From Vecellio’s ‘Habite antichi’
Doge of Venice, From Vecellio’s ‘Habite Antichi’
Venice, from the Lagunes. From a Print of the commencement of the 18th century
The Merchant of Venice Full Page Introductory Illustration
Group of Fairies
Love in Idleness
Theseus and the Centaur. From the Elgin Marbles
Puck
Palace of Theseus
Bottom awaking
‘When in a wood of Crete they bay’d the bear.’
Titania and Bottom
Mount Taurus
Group of Birds, – ‘The woosel-cock, so black of hue’
Puck
Bottom
Oberon enchanting Titania
Fairies. – Scenes I and II
Choragus instructing the Actors. From a Mosaic found at Pompeii
Bringing in the May-pole
Bottom
Hermia and Helena
Border. From a design by W. Harvey
An Amazon. From a Statue in the Vatican
Athenian Costume. From the Elgin Marbles
Athenian Costume. From the Elgin Marbles
Athenian Costume. From the Elgin Marbles
Battle of the Amazons. from a Sarcophagus in the Imperial Cabinet in Vienna
A Midsummer Night’s Dream Full Page Introductory Illustration
‘The pleasant garden of great Italy.’ View between Padua and the Coast. – Design by H. Anelay
Itenerant Players in a Country Hall. – Design by H. Anelay
Sly at the Ale-house Door. – Design by H. Melville
Gymnasium, Padua. – From an old Print in the King’s Library, British Museum
Mountain-road near Arqua. – An original Sketch by H. Anelay
Prato della Vall, Padua. – Print by Piranesi, 1786
‘Hark, hark! I hear the Minstrels play.’ Designed from Prints by Schopper, 1568
Church of St. Giutinia, Padua. From Plate in ‘Storia Dimostrazione della Citta di Padova,’ 1769
Pisa – showing the Babtistery, Campo Santo, Church, and Leaning Tower. from a Print by Franciscus of Milan, 1705
