The Cave
Coin of Augustus. From a gold specimen in British Museum
‘Well, madam, we must take a short farewell’
Restoration of the Roman Forum
Andirons. From originals at Knowle, Kent
Sleeping Children. From Chantrey’s Monument in Lichfield Cathedral
‘Sleep hath seized me wholly’
‘Hark! hark! the lark at heaven’s gate sings’
‘This diamond was my mother’s: take it, heart’
The Garden
Border. Fidele’s Flowers
Conflict between Romans and Barbarians. From the Column of Trajan
British Shield in British Museum
Spear-head and Celt
Gaulish Captive, wearing the Torque
Coin of Cunobelinus. From a Specimen in the British Museum
Stonehenge. The high Altar
Cymbeline Full Page Introductory Illustration
‘There is a willow grows aslant a brook’
Kemble as Hamlet, from Sir T. Lawrence
‘Sword-belts or Hangers’
‘Anon, as patient as the female dove’
‘To stop a flaw’ – a Rude House
Hamlet’s Grave
Church and Churchyard at Elsinore
Monumental Trophy
Pelicans
Cockle Hat and Staff
Ophelia
Danish Ships
Ophelia. ‘White his shroud as the mountain snow.’
A Plain in Denmark
Pictures on arras
‘The herald Mercury’
Kronberg Castle
Choppines
View of Elsinore
Palace of Rosenberg
‘Hyperion as a Satyr’
Danish Standard and Arms
Platform at Elsinore
Border: Ophelia’s Flowers
‘Smote the sledded Polacks’
Canute and his Wife
Danish Lutes
Hamlet Full Page Introductory Illustration
Cupid and Psyche, from an antique gem
Juliet’s Tomb
Tomb of the Scaligeri, Verona, from an original sketch
Tomb of the Capulets
Mantua
Musicans, from the ‘Roman de la Rose’ Harl. MS. 4425
Costume of Servants, from Vecellio
Verona, from an original sketch – the Funeral Procession of Juliet, from an old italian engraving of a ‘Funeral Pomp’
Friar Laurence’s Cell
Old Stage and Balcony, from the title-page to Dr. W. Alabaster’s Tragedy of Roxana, 1632
Juliet and Romeo (Loggia)
Juliet and Nurse
‘Nimble-pinioned Doves,’ From Raffaelle
Falconry
Cupid, from an engraving after Francesco Albano
Nurse and Peter
Capulet’s Garden
‘Court Cupboard’ and Plate, selected from specimens in private collections, and from old prints
The ‘Measure’
Plantain Leaf, from specimens, and a group in Gerade’s Herbal
Fete Champetre; designed from an illumination in the ‘Roman de la Rose,’ Harl. MS. 4425
Lady masked, from Vecellio
Grove of Sycamore
Bills and Partizans, from specimens
Maskers
Verona
Funeral Garland, composed from specimens of the principal funeral flowers of Shakspere – ‘Violets blue,’ ‘MArigold,’ ‘Azure hare-bell,’ ‘rosemary,’ ‘Eglantine,’ &c
Costume of a young Venetian Nobleman, from Vecellio
Costume of Senators and Ladies, from a drawing by Giotto
Tragic Mask
Romeo and Juliet Full Page Introductory Illustration
‘Where the bee sucks’
‘Thy Groans did make wolves howl’
Naples from the sea
Ariel
Ferdinand and Miranda playing chess
‘A Frippery.’ From a Print dated 1587
The Masque
A Harpy. From a Sculpture at Thebs. ‘Disc. de l’Egypte’
A Tyrolese peasant with a goitre.
A ‘forth-right’ Maze. Projected from a ground plan in ‘The Country Housewife’s Garden,’ 1617
Picture of ‘Nobody.’ From the title to an old anonymous comedy, called ‘Nobody and Somebody,’ prior to 1600
Ariel, like a Harpy, ‘vanishes in thunder, and enter Shapes’
Ferdinand and Miranda before the cell of Prospero
Painted Fish. From a Print of the time of Chas. I.
‘Misery makes a man acquainted with strange bedfellows’
‘Apes that moe and chatter’
Manacles. From Specimens in the Tower of London
Ariel as a sea-nymph
Prospero and Miranda
Prospero and Miranda
Border
Bermuda
‘On a bat’s back’
The Tempest Full Page Introductory Illustration
Julio Romano. From a Portrait engraved by Bartolozzi
Little Conduit in Cheapside. From a Print by De la Serre, 1638
Scene III – ‘O, thus she stood / Even with such life of majesty’
Dance of Satyrs. From an Illlumination in Froissart’s Chronicles, Harl. MSS
Prosperine. From a Roman bas-relief
Ape-bearer
Trol-my-dames. Costume, temp. Eliz. From specimen
Scene III – ‘Come, buy of me, come’
Time, as Chorus, dispersing the clouds which conceal Perdita and Florizel
Scene III – ‘I am gone for ever’
Scene III – ‘What have we here?’
Tripod
Scene I – ‘Behind the tuft of pines I met them’
Virginal. Costume, temp. Eliz. From a specimen
Emblems of Jealousy
Scene II – ‘We were as twinn’d lambs’
Border
Pedlar
Act V. Scene III – ‘Now in age / Is she become the suitor?
Introductory Notice – Act IV. Scene III ‘I bless the time / When my good falcon made her flight across / Thy father’s ground’
The Winter’s Tale Full Page Introductory Illustration
‘Look, the unfolding star calls up the shepherd’
Near City Gate
Scene V – Fields without the Town
Scene III – Interior of Prison
Death and the Fool
‘The moated grange’
Scene II – Street before Prison
China Dishes
Scene II – ‘Thy sharp and sulphurous bolt’
Scene I – ‘How now, sir?’
‘An o’ergrown lion in a cave’
Scene V – Interior of Nunnery
Scene III – Street in Vienna
Border
‘Like unscour’d armour hung by the wall’
Measure for Measure Full Page Introductory Illustration
Implements of Hunting
Scene IV – ‘I’ll stay to know at your abandon’d cave.’
Scene IV – ‘Here comes a pair of very strange beasts.’
Serpent-charmers of India
The Hellespont
Scene III – ‘Be of good cheer, youth.’
Scene III – ‘Lay sleeping on his back.’
Falcon with bells
Suffolk Ox-yoke
Ancient ‘Painted Cloth’ – From Gough’s Sepulchural Monuments
