Category Archives: Exterior
Roman General, Standard Bearer, &c, landing from a bridge of boats. From Column of Trajan
Combat of Posthumus and Iachimo
The Forest
The Cave
Restoration of the Roman Forum
‘Hark! hark! the lark at heaven’s gate sings’
‘This diamond was my mother’s: take it, heart’
The Garden
Border. Fidele’s Flowers
Conflict between Romans and Barbarians. From the Column of Trajan
Stonehenge. The high Altar
Cymbeline Full Page Introductory Illustration
‘There is a willow grows aslant a brook’
Kemble as Hamlet, from Sir T. Lawrence
‘Anon, as patient as the female dove’
Hamlet’s Grave
Church and Churchyard at Elsinore
Pelicans
Ophelia
Danish Ships
A Plain in Denmark
Kronberg Castle
View of Elsinore
Palace of Rosenberg
Danish Standard and Arms
Platform at Elsinore
‘Smote the sledded Polacks’
Juliet’s Tomb
Tomb of the Scaligeri, Verona, from an original sketch
Tomb of the Capulets
Mantua
Musicans, from the ‘Roman de la Rose’ Harl. MS. 4425
Verona, from an original sketch – the Funeral Procession of Juliet, from an old italian engraving of a ‘Funeral Pomp’
Friar Laurence’s Cell
Juliet and Romeo (Loggia)
Falconry
Nurse and Peter
Capulet’s Garden
Fete Champetre; designed from an illumination in the ‘Roman de la Rose,’ Harl. MS. 4425
Grove of Sycamore
Maskers
Verona
‘Where the bee sucks’
‘Thy Groans did make wolves howl’
Naples from the sea
A Tyrolese peasant with a goitre.
A ‘forth-right’ Maze. Projected from a ground plan in ‘The Country Housewife’s Garden,’ 1617
Ariel, like a Harpy, ‘vanishes in thunder, and enter Shapes’
Ferdinand and Miranda before the cell of Prospero
Painted Fish. From a Print of the time of Chas. I.
‘Misery makes a man acquainted with strange bedfellows’
‘Apes that moe and chatter’
Ariel as a sea-nymph
Prospero and Miranda
Prospero and Miranda
Border
Bermuda
‘On a bat’s back’
The Tempest Full Page Introductory Illustration
Little Conduit in Cheapside. From a Print by De la Serre, 1638
Scene III – ‘Come, buy of me, come’
Time, as Chorus, dispersing the clouds which conceal Perdita and Florizel
Scene III – ‘I am gone for ever’
Scene III – ‘What have we here?’
Tripod
Scene I – ‘Behind the tuft of pines I met them’
Emblems of Jealousy
Scene II – ‘We were as twinn’d lambs’
Introductory Notice – Act IV. Scene III ‘I bless the time / When my good falcon made her flight across / Thy father’s ground’
‘Look, the unfolding star calls up the shepherd’
Near City Gate
Scene V – Fields without the Town
‘The moated grange’
Scene II – Street before Prison
Scene II – ‘Thy sharp and sulphurous bolt’
‘An o’ergrown lion in a cave’
Scene III – Street in Vienna
Scene IV – ‘Here comes a pair of very strange beasts.’
The Hellespont
Scene III – ‘Be of good cheer, youth.’
Scene III – ‘Lay sleeping on his back.’
Scene V – ‘Sweet Phebe, do not scorn me.’
Scene II – ‘Tongues I’ll hang on every tree.’
Scene VI – ‘Dear master, I can go no further.’
Melancholy Jaques
Scene I – ‘A poor sequester’d stag.’
Scene III – ‘To liberty, and not to banishment.’
Scene I – ‘Wilt thou lay hands on me, villain?’
Cross at West-Cheap
Forest of Arden
As You Like It Full Page Introductory Illustration
Scene I – Spalatro – ‘My lord, I do protest.’
Scene I – Spalatro – ‘Hold, Toby, on thy life.’
Scene III – ‘Once, in a sea-fight, ‘gainst the count his galleys.’
Scene I – Olivia’s Garden
Scene IV
Scene I – Sea-coast near Spalatro
‘Turn o’ the toe like a parish-top’
Spalatro – Scene II. ‘This is Illyria, lady.’
Twelfth Night Full Page Introductory Illustration
Messina, from the Sea
Exterior of Cathedral of Messina
‘Haggards of the Rock’ – Peregrine Falcon
Scene III – Setting the Watch
Garden. Balthazar sings
Scene II – ‘A thick-pleached alley in my orchard’
Streets in Messina
Much Ado About Nothing Full Page Introductory Illustration
Supplementary Notice
Gentle Astringer – From a French Sculpture, temp. Eliz
Marseilles
Carriage of 1532
Travelling Wagon of the Fifteenth Century
Florentine Camp and General View of Florence – Scene I
Without the Walls of Florence – Scene V
Florence: The Wall with the S. Nicolo Gate
General View of Paris
Gate of Perpignan
Italian Crosses in Lombardy. From Original Sketches
‘The light we see is burning in my hall’
Avenue to Portia’s House
Piazetta di san Marco
Court of Ducal Palace
The Goodwin Sands during a Storm.
Rialto Bridge
Place for hiring Gondolas. From Canaletti
Canal in Venice
Venetian Ships of the 16th Century. – ‘Argosies of portly sail’
St Mark’s Place
Border. The Doge’s state Gallery, the Bucentaur, passing one of the Red Columns of the Piazzetta. From Prints in ‘Vedute di Venezia, designata da Antonio Canale and Antonio Visentini’
Venice, from the Lagunes. From a Print of the commencement of the 18th century
Group of Fairies
Love in Idleness
Puck
Bottom awaking
‘When in a wood of Crete they bay’d the bear.’
Titania and Bottom
Mount Taurus
Group of Birds, – ‘The woosel-cock, so black of hue’
Puck
Bottom
Oberon enchanting Titania
Fairies. – Scenes I and II
Bringing in the May-pole
Hermia and Helena
Border. From a design by W. Harvey
A Midsummer Night’s Dream Full Page Introductory Illustration
‘The pleasant garden of great Italy.’ View between Padua and the Coast. – Design by H. Anelay
