Category Archives: Act
Phrygian Tunic, Bipennes, Bow, Quiver, Helmets, &c. From Hope’s ‘Costume’
Phrygian Lady with Casket. From a Greek Vase in Hope’s ‘Costume’
Ulysses. From a Gem in Wosleyan Museum
Scene III – Before Agamemnon’s Tent
In Birnam Wood
The Dunsinane Range
Dunkeld
The Harmuir
Forres; Eminence at the Western Extremity
Forres
Coronation Chair
Iona
Scone
Cawdor Castle
Glamis Castle
St. Colmes’ Inch
Distant View of the Heath
View from the site of Macbeth’s Castle, Inverness
Norman Gateway, Dover Castle
Death of Cordelia
Dover Castle at the time of Elizabeth
Samphire
Lear, Cordelia, and the Physician
Dover Cliff
‘This night wherin the cub-drawn bear would couch…’
Lear in the Storm
Sarum Plain
Prometheus – ‘Sharp-tooth’d unkindness, like a vulture here
Edgar – ‘I heard myself proclaim’d’
The Coxcomb. From ‘Catzii Emblemata’
Henry VIII and Will Sommers
Scene IV
Temperance. From Raffaelle
Alcibiades
Timon’s Grave
Timon’s Cave
Temple of Theseus
Walls of Athens: restored
The Parthenon
Athens. The Pnyx
Remains of the Propylea. From Stuart’s ‘Athens’
Athens, from the Pnyx
Marriage a-la-mode. From Hogarth
Rake’s Levee. From Hogarth
View of Athens
Venetian Glaive, Halberds, and Sword of an Estradiot. From the Meyrick Collection
General view of Famagusta. From Le Brun’s ‘Voyage en Orient’
Piazza of the Mosque at Famagusta, with Venetian Remains (the sculpture on the keystone of the central arch represents the Lion of St. Mark).
Venetian General. From ‘Habiti d’ Huominie Donne Venetiane’, 1609
Venetian Remains at Famagusta – being a Gothic Cathedral, now converted into a Turkish Mosque
View of Cerini
An Estradiot. From Boissard
The Citadel at Famagusta, Cyprus.
Anthropophagi, &c. From Hondius’s Latin translation of Raleigh’s ‘Voyage to Guiana’
The Harbour of Rhodes. From a view in Le Brun’s ‘Voyage en Orient’
The Arsenal at Venice
Court of the Ducal Palace, Venice.
Venice: The Ducal Palace
Roman General, Standard Bearer, &c, landing from a bridge of boats. From Column of Trajan
Combat of Posthumus and Iachimo
Roman Eagle. Enlarged from a Coin of Domitian, in the British Museum
The Forest
The Cave
Coin of Augustus. From a gold specimen in British Museum
‘Well, madam, we must take a short farewell’
Restoration of the Roman Forum
Andirons. From originals at Knowle, Kent
Sleeping Children. From Chantrey’s Monument in Lichfield Cathedral
‘Sleep hath seized me wholly’
‘Hark! hark! the lark at heaven’s gate sings’
‘This diamond was my mother’s: take it, heart’
The Garden
‘Sword-belts or Hangers’
‘Anon, as patient as the female dove’
‘To stop a flaw’ – a Rude House
Hamlet’s Grave
Church and Churchyard at Elsinore
Monumental Trophy
Pelicans
Cockle Hat and Staff
Ophelia
Danish Ships
Ophelia. ‘White his shroud as the mountain snow.’
A Plain in Denmark
Pictures on arras
‘The herald Mercury’
Kronberg Castle
Choppines
View of Elsinore
Palace of Rosenberg
‘Hyperion as a Satyr’
Danish Standard and Arms
Platform at Elsinore
Tomb of the Scaligeri, Verona, from an original sketch
Tomb of the Capulets
Mantua
Musicans, from the ‘Roman de la Rose’ Harl. MS. 4425
Costume of Servants, from Vecellio
Verona, from an original sketch – the Funeral Procession of Juliet, from an old italian engraving of a ‘Funeral Pomp’
Friar Laurence’s Cell
Old Stage and Balcony, from the title-page to Dr. W. Alabaster’s Tragedy of Roxana, 1632
Juliet and Romeo (Loggia)
Juliet and Nurse
‘Nimble-pinioned Doves,’ From Raffaelle
Falconry
Cupid, from an engraving after Francesco Albano
Nurse and Peter
Capulet’s Garden
‘Court Cupboard’ and Plate, selected from specimens in private collections, and from old prints
The ‘Measure’
Plantain Leaf, from specimens, and a group in Gerade’s Herbal
Fete Champetre; designed from an illumination in the ‘Roman de la Rose,’ Harl. MS. 4425
Lady masked, from Vecellio
Grove of Sycamore
Bills and Partizans, from specimens
Maskers
Verona
‘Thy Groans did make wolves howl’
Naples from the sea
Ariel
Ferdinand and Miranda playing chess
‘A Frippery.’ From a Print dated 1587
The Masque
A Harpy. From a Sculpture at Thebs. ‘Disc. de l’Egypte’
A Tyrolese peasant with a goitre.
A ‘forth-right’ Maze. Projected from a ground plan in ‘The Country Housewife’s Garden,’ 1617
Picture of ‘Nobody.’ From the title to an old anonymous comedy, called ‘Nobody and Somebody,’ prior to 1600
Ariel, like a Harpy, ‘vanishes in thunder, and enter Shapes’
Ferdinand and Miranda before the cell of Prospero
Painted Fish. From a Print of the time of Chas. I.
‘Misery makes a man acquainted with strange bedfellows’
‘Apes that moe and chatter’
Manacles. From Specimens in the Tower of London
Ariel as a sea-nymph
Prospero and Miranda
Prospero and Miranda
Julio Romano. From a Portrait engraved by Bartolozzi
Little Conduit in Cheapside. From a Print by De la Serre, 1638
Scene III – ‘O, thus she stood / Even with such life of majesty’
Dance of Satyrs. From an Illlumination in Froissart’s Chronicles, Harl. MSS
Prosperine. From a Roman bas-relief
Ape-bearer
Trol-my-dames. Costume, temp. Eliz. From specimen
Scene III – ‘Come, buy of me, come’
Time, as Chorus, dispersing the clouds which conceal Perdita and Florizel
Scene III – ‘I am gone for ever’
Scene III – ‘What have we here?’
Tripod
